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Brahms Johannes - 9 Lieder and Songs Op.32 No.9 - Wie bist du meine Königin

fredipi

3:28	Est. Play Time
81	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		33	18	16	5	99%
		32	5	12	4	100%
Singstimme Voice		16	0	8	4	73%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		33	18	16	5	99%
		32	5	12	4	100%
Singstimme Voice		16	0	8	4	73%

Johannes BRAHMS - Sechs Quartette, Op.112 - IV. Zigeunerlieder n°2

fredipi

0:45	Est. Play Time
38	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	34	3	5	78%
		22	27	1	6	91%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	34	3	5	78%
		22	27	1	6	91%
Alto		9	0	0	6	92%
Bass		10	0	0	6	92%
Soprano		10	0	1	6	89%
Tenor		10	0	2	6	89%

Johannes BRAHMS - Sechs Quartette, Op.112 - 6. Zigeunerlieder n°4

fredipi

0:52	Est. Play Time
74	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	38	8	4	100%
		19	21	3	2	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	38	8	4	100%
		19	21	3	2	100%
Alto		10	0	2	4	90%
Tenor		13	0	3	4	69%
Bass		4	0	1	2	49%
Soprano		12	0	2	4	49%

Brahms Johannes - 9 Lieder and Songs Op.32 No.8 - So stehn wir ich und meine Weide

fredipi

1:36	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		23	39	9	6	97%
		25	8	6	4	96%
Singstimme Voice		13	0	5	5	79%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		23	39	9	6	97%
		25	8	6	4	96%
Singstimme Voice		13	0	5	5	79%

Viardot, Pauline - 6 Mélodies, No.4, VWV 1137 - Sérénade à Rosine

fredipi

1:30	Est. Play Time
89	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	28	8	4	79%
		21	18	5	3	96%
CHANT. Voice		11	1	1	6	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	28	8	4	79%
		21	18	5	3	96%
CHANT. Voice		11	1	1	6	84%

Brahms Johannes 6 Songs Op 6 No 2 Der Fruhling

fredipi

1:44	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		31	6	13	4	99%
		27	45	9	4	100%
Singstimme		12	0	6	4	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		31	6	13	4	99%
		27	45	9	4	100%
Singstimme		12	0	6	4	68%

G.B. Pergolesi - Stabat mater, 7. Eja mater fons amorist

fredipi

6:12	Est. Play Time
94	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	33	8	5	99%
		23	36	9	4	93%
Alto Soliste		16	0	6	5	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I/II Viola Violoncello Contrabasso e organo		25	33	8	5	99%
		23	36	9	4	93%
Alto Soliste		16	0	6	5	70%

Brahms Johannes 6 Songs Op 7 No 6 Heimkehr

fredipi

0:44	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		28	34	11	8	95%
		29	24	12	8	91%
Singstimme Voice		15	0	5	5	77%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		28	34	11	8	95%
		29	24	12	8	91%
Singstimme Voice		15	0	5	5	77%

Viardot, Pauline - 6 Mélodies, No.1, VWV 1133 - À la Fontaine

fredipi

1:35	Est. Play Time
69	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	15	13	3	90%
		28	15	6	4	72%
Chant Voice		13	0	4	6	86%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		36	15	13	3	90%
		28	15	6	4	72%
Chant Voice		13	0	4	6	86%

Bach - Matthäus Passion BWV 244 - 33 Duetto e Coro - SoIst mein Jesus

fredipi

4:25	Est. Play Time
137	Measures
	1,746Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	37	15	5	100%
		32	120	12	7	96%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		43	37	15	5	100%
		32	120	12	7	96%
Basse Coro II		19	0	5	4	51%
Basse Coro I		21	0	6	4	50%
Ténor Coro II		16	0	4	4	48%
Ténor Coro I		17	0	5	4	47%
Alto Coro II		17	0	4	4	45%
Alto Coro I		18	0	5	5	44%
Soprano Coro II		18	0	6	4	42%
Soprano Coro I		19	0	6	4	41%
Soprano Solo Cori I		15	0	5	6	33%
Alto Solo Cori I		17	0	6	7	32%

Johannes BRAHMS - Sechs Quartette, Op.112 - I Sehnsucht

fredipi

5:36	Est. Play Time
82	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	54	15	6	93%
		37	29	14	8	91%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	54	15	6	93%
		37	29	14	8	91%
Basse		19	0	6	6	83%
Ténor		20	0	10	6	82%
Alto		17	0	6	6	76%
Soprano		16	0	7	5	76%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Basse

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Hector Berlioz - Grande Messe des Morts, op.5 - 08 Hostias

fredipi

3:19	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
Basse I.		10	0	4	7	65%
Basse II.		9	0	2	7	65%
Ténor I.		9	0	3	7	65%
Ténor II.		9	0	3	7	65%

Franz Biebl - Ave Maria in B-flat major - for trio, SA., T. or B., Mixed Chorus, SATB, a capella

fredipi

7:18	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
		11	0	2	5	96%
Ténor		8	0	1	5	96%
Soprano		12	0	2	5	77%
		10	0	1	5	95%
Tenor (Baryton)		12	0	3	5	89%
Ténor solo		8	0	0	2	3%
Basse Solo		7	0	0	2	1%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Alto

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Soprano

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	10	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	10	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	6	7	83%
Soprano		17	0	8	7	81%
Basse		14	0	6	5	70%

Jan Dismas ZELENKA - Miserere ZWV 57, Sicut erat & Miserere III - Tenor

fredipi

2:35	Est. Play Time
55	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	52	13	7	95%
		21	1	7	9	97%
Alto		15	0	6	7	83%
Ténor		15	0	4	7	83%
Soprano		17	0	7	7	81%
Basse		14	0	5	5	70%

Robert Schumann: Dichterliebe - Op 48 No.12 "Am leuchtenden Sommermorgen"

fredipi

1:47	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	2	13	5	56%
		19	2	8	5	100%
Voice		8	0	2	5	63%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		32	2	13	5	56%
		19	2	8	5	100%
Voice		8	0	2	5	63%

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